Monday, 17 March 2014

Konthayum Poonoolum

Konthayum Poonoolum; (Malayalam) Film Review
A suspense filled story backed by a star studded cast, let down only by a loose script.|Yentha.com




Hyperlink narrative format became a rage after the phenomenal success of Traffic. In the 'post-Traffic era', it is simultaneously adopted by film-makers to transfer the same confusion in their minds to the viewer's, as well as to solve all the confusion like a jig-saw puzzle, at the climax. What happens in 'Konthayum Poonoolum', is that uncertainty gets into the minds of the audience, regarding what the director Jijo Antony actually conveyed. It is an average, yet novel attempt, but what he actually meant by all those incidents remains blurred in terms of clarity. He might have possibly intended that the majority of spirits and ghosts are just results of momentary hallucinations, illusions or human interventions, while some do remain as such.

Konthayum Poonoolum is a horror-flick,which questions the very existence of ghosts/spirits through an amalgam of connected short stories. Ingredient wise, the film looks good, with cemetery, Ouija board, spirits, hallucinations and all those familiar elements that feature in typical horror flicks. Vinod Sreekumar's story features a parallel narration of many sub-plots;some of which ultimately converges. The cast consists of Kunchacko Boban, Shine Tom Chacko, Bhama, Janardhanan, his granddaughter Anju Aravind, Kalabhavan Mani, Kavitha Nair, Joy Mathew, Manoj K Jayan, Sobha Mohan, Sarayu and Pooja, among many others, without providing much screen space for any of them.

Thursday, 13 March 2014

Need for Speed (2014)

Need for Speed (2014)





The EA logo features in the opening credits of Need for Speed. It is a pertinent reminder that you are watching a movie based upon a popular video game franchise. Although the games in their various incarnations have always offered entertaining driving action they have never been known for the depth of their narrative. Bear this in mind if you go and see Need for Speed. If you’ve seen the trailer then you have pretty much become acquainted with the lion’s share of the story line. However I’m pretty sure that the target audience will not be going to see Need for Speed for its dense plot. The movies appeal is based upon its set pieces and vehicular stunts. Fans will expect everything to be turned up to eleven. Well the bad news is that its not and it shows.

It was decided during the production of Need for Speed that physical stunt work would be used instead of CGI. Therefore what you see on the big screen is genuine, much to the credit of the cast and the stunt team. However the movie lumbers on for a arduous two hours and ten minutes. The running time to action sequence ratio is surprisingly low, leaving Need for Speed distinctly underwhelming. I found myself in the curious situation where I wanted more explosions, noise, mayhem and pointless destruction. Furthermore in the screening I attended, the audience (mainly teenage males) seemed distinctly restless. When I left the theatre I heard several conversations that made inevitable comparisons to The Fast and the Furious franchise.



Monday, 10 March 2014

Queen

Queen - A Film Not To Be Missed (Hindi): Film Review
Easily trumping the much hyped Gulaab Gang, Queen and Kangana Ranaut steal hearts this women’s day | Chinnu Nair, Yentha.com




I seem to have made the right decision on a Women’s day- deciding to watch Kangana Ranaut’s Queen. Not in the near future has Bollywood delivered such a well rounded, entertaining and uplifting, female oriented film. 

Rani (Kangana Ranaut) a girl brought up in a well-to-do middle class family is dumped by her fiancĂ© Vijay (Rajkumar Rao), a day before their wedding. After initially locking herself up in her room in shock, Rani decides to go on the pre-booked honeymoon trip to Paris and Amsterdam alone. An overtly supportive grand mom and a worried set of parents allow the heartbroken Rani to make the trip. 

300: Rise of an Empire (2014)

300: Rise of an Empire (2014)

by 


300: Rise of an Empire is a curious beast, being neither a sequel or a prequel, but rather a tale of  events that took place simultaneously to the original movie. While Gerard Butler is busy making a last stand at the Battle of Thermopylae, warrior and politician Themistokles, played by that household name Sullivan Stapleton, leads a similar army of buffed  Greeks against the Persian fleet. Once again we have a movie that is the epitome of style over substance, complete with a sound design that challenges what can physically be endured by human hearing. They say the first casualty of war is innocence but in movies it’s closely followed by historical accuracy along with authentic ethnicity.
Since the release of the original 300 back in 2007, the visual aesthetic used by Zack Snyder has been heavily replicated elsewhere. Although it was quite innovative at the time, reflecting the original style of Frank Miller’s graphic novel, it is now a somewhat tired visual effect. The market is somewhat saturated by big budget spectacles these days and Hollywood’s overall aesthetic style is becoming increasingly homogeneous and self plagiarising. The only major difference this time round is that director by Noam Murro has added 3D to the mix. The stylised violence is still a major element of the proceedings and still happily ignores the realities of basic human anatomy.



300: Rise Of An Empire - Indian Review

300 Rise Of An Empire – Eva Green Steals The Show: (English) Film Review
The movie tells you that freedom does not come with a price tag | Dinesh Kumar, Yentha.com



One may or may not agree with Themistokles of Athens ( Sullivan Stapleton) but we know for sure, what he believes in, and what he is willing to pay for that cause. He believes in freedom and democracy. This idea, it seems, makes his country superior than Persia ruled by a God-king.

This is a sequel to the action movie ‘300’ which provided a fictionalised account of the ‘Battle of Thermopylae in 480 BC’. The ‘300 Rise of an Empire’ also portrays war as its main content. This time it is the Greco – Persian Battle of Artemisium with a story concurrent with that on the earlier movie ‘300’. Perhaps, action is much more enhanced in the sequel, portraying far more imbrued hands than the earlier installment.


Gulaab Gang

Gulaab Gang: Hits And Misses (Hindi): Film Review
The Madhuri-Juhi starrer is loud, colorful and action packed, but fails to live up to expectations | Chinnu Nair, Yentha.com




When word was out about debutant director Soumik Sen’s film Gulaab Gang starring Madhuri Dixit Nene and Juhi Chawla, expectations were sky high. The film also stars a string of other highly talented women including Divya Jagdale, Tannishtha Chatterjee and Priyanka Bose.

Hitting the cinemas right on the eve of Women’s day, seemed the perfect timing to watch a female oriented film of epic proportions. However, the film certainly couldn’t live up to the tremendous hype it built up.

The movie opens with a disclaimer that it has nothing to do with Sampat Pal, a real life woman who formed a group of women vigilantes called Gulabi Gang in Bundelkhand. However, Sen liberally lifts from the life and times of the Gulabi Gang, all from their pink saris to their sticks, for his highly fictionalised work.

Wednesday, 5 March 2014

Shaadi Ke Side Effects

‘Shaadi Ke Side Effects’ – Surely Delivers Some Side Effects: (Hindi) Film Review
Saket Chaudhary relies on the acting chops of Farhan Akthar and Vidya Balan and their sizzling onscreen chemistry and almost nothing more to create a fun watchable entertainer (with some side effects for sure) says Chinnu Nair, Yentha.com


Vidya Balan and Farhan Akhtar in a 'Shaadi Ke Side Effects' Movie Poster



Farhan Akthar and Vidya Balan, two of Bollywood’s finest actors - when they pair up on screen what one naturally expects, is a sizzling, clever and mature film. Sizzling it is, whether the movie is clever and mature are highly disputable. 

The film opens with Siddharth Roy (Farhan Akhtar) and Trisha Mallik (Vidya Balan), total strangers, all over each other after having met at a night club. After an entire night of role playing it’s revealed that the two are indeed husband and wife. Sid is a struggling musician, who has taken up the job of composing jingles for ad films, while Trisha is a successful professional.

Their happy and often action-packed marriage life suddenly faces a speed bump when after tons of passion and liquor when Trisha ends up pregnant. The couple goes through a lot of humorous and not-so-humorous moments of decision making, before Sid agrees, for all the wrong reasons, to become a father.