Sunday, 11 December 2016

Doctor Strange: A sharp wit and spiritual popcorn: Movie Review (English)

Doctor Strange: A sharp wit and spiritual popcorn: Movie Review (English)




Visually distinctive, classily cast and mostly coherent, this latest picture from the Marvel stable is that rarest of beasts, a comic-book movie that fully justifies its reliance on CGI effects. This superior hero-origin story nods to the spatial origami of Christopher Nolan’s Inception and has something of the baroque enchantment of the Harry Potter series. It’s also, at times, the most brain-meltingly effective piece of psychedelic cinema since Peter Fonda got himself comprehensively wigged out in The Trip.

But crucially, Doctor Strange is very much its own entity: a handsome, endlessly fascinating conundrum of Escher-like complexity. Director Scott Derrickson, who also co-wrote the film, effortlessly negotiates the leap from quality horror pictures (The Exorcism of Emily Rose, Sinister) to this daringly spiritual popcorn movie. There’s a sharp wit to the screenplay, which credits the audience with enough smarts to catch the punchline to a joke that was set up a full hour before. But Derrickson’s greatest achievement is incorporating so much cosmic guff into the story – astral planes, third eyes and mandalas abound – without ever seeming like a stoner’s motivational bedroom poster.

Moana: More than “Tangled,” more than “Frozen": Film Review (English)



This musical tale of an empowered Polynesian princess marks a return to the heights of the Disney Renaissance, from the directors of 'The Little Mermaid' and 'Aladdin.'

Princesses come in all shapes, sizes, and colors, though Disney’s latest addition to its ever-growing gallery of empowered female heroines — Moana (voiced by Hawaiian actress Auli’i Cravalho), the daughter of a Pacific Islands chieftain — doesn’t see herself as a princess per se. 

Saturday, 10 December 2016



Dear Zindagi: A Conflicted Woman in Search of a Truer Life: Movie Review (Hindi)


Dear Zindagi: A Conflicted Woman in Search of a Truer Life: Movie Review (Hindi)





The issues in Gauri Shinde’s sharply observed drama “Dear Zindagi” are suggested in its opening scene: A woman walks with her boyfriend, disgusted with his infidelity, while he pleads for forgiveness, professing his love. A director calls cut, and we realize we are watching actors on a Mumbai movie set. 

The young cinematographer Kaira (Alia Bhatt) suggests shooting another take, this time with the woman surreptitiously checking out a passing male bicyclist. Her director approves.The restless, ambitious Kaira has a wandering eye of her own. Bored with her distracted boyfriend, Sid (Angad Bedi), a restaurateur, she has a fling with her colleague Raghuvendra (Kunal Kapoor).

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Friday, 9 December 2016

Underworld: Blood Wars: Is this the final war... (English): Film Review

Underworld: Blood Wars: Is this the final war... (English): Film Review


Underworld: Blood Wars: Is this the final war... (English): Film Review






In 2007, I found myself running a grip-truck out of Wanaka and generally getting in the way of some great people who were trying to film a hilarious load of old rubbish called 10,000BC.

The shoot was a lot of fun, mostly because I got myself attached to a second-unit crew who didn't have to worry too much about the dialogue and drama of the film. Our brief was to charge about the mountain tops near Coronet Peak, mostly in waist-deep snow, while pretending that Cliff Curtis was being chased by a mammoth. 

And the director and DOP of our little gang of rogues was a fantastic young woman called Anna Foerster.

So it kind of made me smile to walk in to Underworld: Blood Wars and see Anna's name on the poster. It's been a long time – maybe forever – since I've genuinely looked forward to an installment in the Underworld franchise. But at least for Blood Wars, I could spend an hour-and-a-half quietly.

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Pulimurugan: Expect the unexpected: Film Review (Malayalam)

Pulimurugan: Expect the unexpected: Film Review (Malayalam)

The movie does have anything extraordinary including the set


The film starts out introducing the audience to a pre-teen Murugan avenging the death of his father, who was killed by a tiger. The first 15 minutes are gripping with the chase between the man-eater and the boy clearly setting the mood for a stylish film. 

However, that’s not all that its director and scriptwriter Udaykrishna deliver. The movie has a good enough story to keep the audience engaged while providing ample thrills through Peter Hein-choreographed fantastic action sequences.